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ASL

In addition to our exhibitions at the BCA Center on Church Street, BCA hosts external exhibitions at partnering locales in and around Burlington. All artwork is available for sale. For more information, to purchase, or to see additional works by these artists, please contact Kate Ashman at (802) 865-7296 or kashman@burlingtoncityarts.org.

 

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A painting of two cows, one cream colored and one light brown, standing in a lush green field of tall grass, with a dense green forest in the background

Airport Gallery

The Burlington International Airport features Vermont artists from BCA's External Exhibitions program, with rotating exhibits in two locations at the south end of the 2nd-floor Skywalk. The current exhibits run through March 2023.

Stephanie Bush, oil paintings

Cows are an everyday presence in her experience of Vermont, but they are largely peripheral. It was the desire to examine more closely that which is peripheral and overlooked, that lured the artist to look more closely at a being that shares her space and ecology. Bush grew up in the city of Montreal with only the occasional weekend or camp experience in the country, so cows are in many ways as foreign to her as a camel. The first thing that overwhelmed her when confronted with the actual presence of a cow, was simply their size, and this translates directly into the size of her canvases. Next was the strange experience, repeated again and again, of having them look directly at her. She had the unshakable feeling of being seen, and seen deeply. One can get lost in their eyes and so the gaze has become an integral part of the series, expressing the relationship between the witnesser and the witnessed.

 

Adrienne Ginter, hand-cut paper

Ginter’s approach to making art is that of an exploration into the reoccurring oddities and subtle fascinations of the natural world. The uniqueness of it all provides her with aesthetic inspiration, and she draws parallels between these narratives and the stories of human beings- whether from ancient myths, history, or her own personal experiences. Every scene in nature tells a million little stories, and she works to incorporate an extreme amount of detail to tell not only the macro, but the micro stories in a scene. This gives the viewer a greater sense of depth, not only visually, but narratively, depending on how close they choose to engage with the piece.

Current Exhibition (expand/collapse)
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A painting of a woman with brown hair and two sets of gold wings, decorated with red zig zags and green swirls floating against a dark blue patterned background

City Hall

The City Hall Gallery is located on the main level of Burlington's City Hall and features Vermont artists from BCA’s external exhibitions program on a rotating basis. This exhibit runs through the end of February 2023

Resilience – The War through Ukrainian Children’s Art

This exhibit celebrates the enduring spirit of the Ukrainian people. On display are over 40 pieces of artwork from the children of Ukraine, in conjunction with an Actions Beyond Words fundraiser to raise money for continued relief efforts in Ukraine.

Actions Beyond Words:

Since April 2022, partners from across Vermont have worked together to provide direct, efficient, and substantial support to the people of Ukraine.

Our shared mission to support Ukrainians in need has been made possible by our principal partners, Actions Beyond Words, the Pomerleau Family Foundation, and the Vermont Council on World Affairs (VCWA). Additional Vermont-based support has come from over 50 private donors, as well as organizational partners including the UVM Medical Center, Burton Snowboards, Skirack / Patagonia Burlington, Twincraft Skincare, Revision Military, Vermont Flannel, Vermont Teddy Bear, Darn Tough Socks, Saint Michael's Hockey, UVM Hockey, Vermont Small Business Accelerators, the Burlington Business Association, and Burlington U-HAUL. To date, we have delivered over 2,000 pounds of US supplies and funded 15 supply runs bringing approximately 20 tons of aid to over 22 communities, including Kharkiv, Mykolaiv, Dnipro, Irpin, and Kyiv. All told, this support has reached over 6,000 Ukrainians in need.

Our partners outside of Vermont have also been essential to this effort. From Boston; Annissa Essaibi George, Sonia Essaibi, Pat Ryan, and Adam Webster. Even Morrell from Denver and Ari Adams from NYC. Tim Carlsgaard and Dianna Cusick from Minnesota. Jon Lubecky from Washington, DC. Tonko Ihnat from Canada. Simon Massey from the UK and Travis Goode from South Carolina, and their international team of drivers. The entire Paracrew Norway team. And finally, a special thanks to Alex Morokhovskyi and the dozens of local Ukrainans who have worked with us and become our friends.

Moving forward, in partnership with Actions Beyond Words, we intend to establish and fund consistent and reliable food and supply deliveries directly to villages and shelters near the front lines (including Kharkiv, Kramatorsk, Mykolaiv, and Sumy) as well as continue to support shelters in the Western region (including Volytsya, Shehyni, Mostyska, Butsiv, and Bryukhovychi). In addition to regularly planned deliveries, we will work with teams on the ground to shift resources to meet emerging needs as the situation in Ukraine changes rapidly. For example, we are looking to operate regularly in Kherson and other soon-to-be liberated communities in the near future once it is relatively safe for drivers to do so.

Current Exhibition (expand/collapse)
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Casey Blanchard

Hilton Garden Inn

BCA was honored to partner with the Hilton Garden Inn to select artwork from 10 local artists to be included in the design and décor of Burlington’s newest boutique hotel. Learn more about Hilton Garden Inn here. This exhibition is ongoing.

Casey Blanchard (pictured)

Primarily a self-taught artist, Casey explores her experiences through the engaging and often unpredictable print medium of monoprinting. She is most interested in the spiritual aspects that emerge in the image, particularly relating to how we live in the world and how the world lives in us. In the beginning, the work may be a search for answers, but in the end it's more about being here without them.

Casey Blanchard was born in Greenwich, CT in 1953. She lives in Shelburne, VT with her husband, Dan Cox, and their daughter, Julia Cox. Her artwork is found on the walls of health care facilities, private residential collections, corporate offices, the hospitality industry, on web designs, and various published materials.

 

Johanne Durocher Yordan    

Johanne is a Burlington based artist who works out of her studio on Pine Street. She was born in Quebec, Canada, but has lived most of her life in Vermont. It was not until 1998 that Johanne began committing herself to her artwork and finding her own voice. She studied at the University of Vermont and has since developed a diverse body of work that is a testament to her ability to succeed as an independent artist. Creating work that fits a variety of audiences, while always building upon her unique self-taught style, is the secret to her success. Johanne has always been the type of person who explores on her own, tapping into the unknown and developing her own fashion and techniques. Many of her paintings include found or collected items which add depth and meaning to combine form and function to her work. Her abstract work captures her emotions and represents her unique style and expression. Johanne has exhibited her work extensively throughout Vermont in both solo and group exhibitions over the past 12 years.

 

Cameron Schmitz

Cameron Schmitz grew up in Greenwich, Connecticut and spent idle time in her youth drawing. Encouraged by two artistic parents, including her mother who is also a painter, she learned at a very early age the joy and satisfaction of participating in the visual arts. 
Schmitz holds a Master of Fine Arts in Painting from the Pennsylvania Academy of Fine Arts and Bachelor of Fine Arts in Painting & Drawing from the University of New Hampshire, in addition to studying Art and Art History at Studio Arts Center International in Florence, Italy. 

Following a month-long artist residency at the Vermont Studio Center in 2006, Schmitz moved to Vermont after discovering Vermont's rugged landscape to be uniquely inspirational. Now located in the Brattleboro area, Schmitz actively exhibits her work regionally and nationally. Her work has been featured at Fitchburg Art Museum's biannual exhibition, Ne England/New Talent, Green Mountain College, Kyoto Seika University in Japan, Emory University, Northern Arizona University Art Museum, and Rogue Space in Chelsea, New York. Her work is represented by The Drawing Room Art Gallery in Cos Cob, CT and Furchgott Sourdiffe in Shelburne, VT, and she is an artist member of the Copley Society of Art in Boston. In addition to her painting practice, Schmitz is also the Gallery Curator of The Drawing Room Art Gallery and teaches painting at the River Gallery School in Brattleboro, VT.

 

Carl Rubino
 
I strive to create unique interpretive, impressionistic and abstract images that relate my personal vision of or reaction to the subject matter before me.   Before I even pull out the camera I try to experience all that my subject reveals, or even what it makes illusive – not just the obvious, like the literal view, the colors, texture and patterns - but the less obvious sensual aspects, the energy and the “feeling” that it conveys. Whether in landscape, abstract, street photography, fine art nude or whatever else captures my interest, I seek to find and interpret life’s visual symphonies, one click at a time. 

I feel that to a large extent my photographs consist of three different points of view: the raw material that is the literal subject matter of the image that my camera captures; what I see, sense, and work to portray when I interpret that subject; and what the viewer sees when looking at the image on the wall.  Those may be three very distinct views of what is essentially rooted in the same thing.   That, to me, is stimulating art.  And that is a great part of what draws me to photography.

 

Jeff Schneiderman 

Jeff Schneiderman works as a wedding, portrait and fine art photographer in Williston, VT.  He has been taking photographs for over 35 years, traveled extensively throughout the U.S. and the world and has made Vermont his home for the last 27 years. Patterns are a major theme in Jeff’s work as he is fascinated with the designs in nature how they are reflected in things manmade.  More of Jeff's work can be seen at: www.jeffschneiderman.com."

 

Krista Cheney

Krista Cheney is a native Vermonter, currently living in St. George, Vermont. She studied English Literature and Agricultural Economics at the University of Vermont. She has studied photography since 2003, taking classes and workshops at local venues and the Maine Media Workshops in Rockport, Maine.

 

Carolyn Enz-Hack

Carolyn Enz-Hack's work includes painting, sculpture, and scenery design. While she has spent most of her life on a farm she holds a degree in theatrical design from Rutgers University and has spent years designing for the theatre. Her rural sensibility is informed by themes explored in ancient theatrical and religious literature, and by developments in cross-disciplinary Science. Each piece is an attempt to process the exterior world through an internal lens. Her most recent solo exhibitions have been at the Castleton Downtown Gallery in Rutland, Vermont, and Creare Inc. and the Dartmouth Hitchcock Medical Center both in Lebanon, New Hampshire. She is the recipient of a Vermont Arts Endowment Award, a painting merit award from the Chaffee Center for the Arts, a residency at the Vermont Studio Center, and her work has been selected for exhibition in regional and nationally competitive shows.

 

Erinn Simon

Erinn Simon is a fiber artist and yarnbomber. She crochets tapestries, toys, baby mobiles, vegetables, baked goods, blankets, scarves for trees, and the occasional bloodthirsty zombie cupcake. Her work has appeared in group shows in Burlington, Seattle, and Australia and she ships her one of a kind creations to customers around the world. She lives in the Old North End of Burlington with her husband and three kids. You can find her on facebook as Callie Callie Jump Jump.

Permanent Exhibition (expand/collapse)
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a painting of blue trillium, red clover, and purple bee balm with lush greenery in deeply saturated colors

Maltex Gallery

The Maltex Building, located at 431 Pine St, holds four floors of artwork curated by the BCA's External Exhibitions Program. This venue features artwork from nine Vermont artists, rotating bi-annually, and can be visited during regular business hours (Monday - Friday 7 am - 5 pm). These exhibitions run through April 2023.

Pievy Polyte, acrylic paintings

Polyte is an artist, coffee farmer, and founder of Peak Macaya Coffee. He is from Peak Macaya, Haiti and has been living in Burlington, Vermont since 2016. Peak Macaya is the second tallest mountain region in Haiti, and home to the country’s last area of cloud forest – characterized as a tropical and moist climate at high altitudes. Polyte has been working with the local community to repair this area and support farming efforts since the devastation of hurricane Matthew in 2016. Polyte grew up around coffee, having learned the trade and growing techniques from his father, he and his brother Otheniel expanded the family coffee production into a model that supports, involves, and invests in their local community. They are focused on protecting the region, its diversity and its inhabitants through education, nutrition, and sound environmental practices. Through this lens, Polyte founded a school that provides eco-friendly education along with daily nutritional programs and medical services. Today, the school has over 500 students. All products sold by Peak Macaya Coffee Co-Op are made by Peak Macaya artisans using materials from the region. The coffee and cocoa is produced using sustainable and environmental practices. A portion of proceeds from artworks sold during this exhibition will be generously donated by Polyte towards the installation of composting toilets in Peak Macaya, Haiti.

 

Shannon O’Connell, acrylic paintings (pictured)

O’Connell focuses on detail and dreamlike color combinations. Many of her botanical paintings have phosphorescent and UV sensitive pigments mixed into the paint, allowing secondary paintings to be revealed. She has always been enchanted by the magic in flowers. Over her years as an artist, she has acquired a love for travel, exploring botanical gardens for inspiration. Having lived in Hawaii for 15 years, her love for the ocean and flora shaped her art and the way she sees color. Surfing, Skiing and Roller skating put her mind in a relaxed state. For her it's very much a meditation. The same feeling when she paints or creates something. When she finishes a painting, she hopes that it gives the viewer a genuine feeling of paradise. Balance in each painting is important for her, having the right amount of patterns and loose elements complete a piece. Sometimes the glowing, secondary painting represents how a bee would see a blossom, in ultraviolet. Many patterns remain invisible on flowers to the human eye. Subject matter is around every bend, every petal and her "Bee Series" is an homage to our planets flower keepers. When she creates each series, all the details come from a place of respect and enjoyment.

 

Brian Drourr, photographs

Drourr is a 4th generation photographer. Some of his earliest memories are of playing with his father’s Nikon FM3 camera. He has learned as much from just getting out there and taking photos as he has from any formal photography education he has received. He has carried his love of photography and adventure together over the years, and thus his "photographic style" evolved from his passion for the outdoors and being in nature. He always strives to evoke that sense of "being there" to the images he captures, and he hopes to bring that sense of awe and amazement that he feels when capturing his photos to the viewer.

 

Nancy Chapman, abstract oil paintings

Chapman’s work stems from memory. She is aware of nature’s active dialogue. Painting can be a way for her to touch what cannot be literally touched. Her work celebrates natural beauty through form, texture, line and color with oil paint on canvas and/or on paper. Her goal is not to describe a scene for the viewer, but rather to render the setting’s spirit; to reveal the story.

 

Ashley MacWalters, abstract acrylic paintings

MacWalters’ work in acrylic pouring replicates our lives, in that despite the best-laid plans life may have a completely different path to follow. To her, acrylic pouring is the same. One can do the same exact thing using the same exact measurements in the same exact order and the two pieces come out completely differently. The artist embraces the unknown and that is what each painting is. She experiments with different techniques of the same medium, but they all have one thing in common - some aspect of nature in her unknowns and beauty. Abstract landscapes are one of her favorite themes in paint pouring. Looking at a picture or recalling a landscape from her travels inspires the colors she uses for the five or six sections, sometimes as a single canvas and sometimes as a larger landscape over several canvases.

 

Robert Fahey, photographs

There are two rules that guide Fahey’s creative practice. The first: the best images have three elements - an appealing composition of subject, light that interacts with the subject, and the subject experiences a moment. The second: stand in front of more interesting stuff. Fahey looks for subjects while walking. They can be landscapes, people, objects, anything. Sometimes it is with the intent of finding an image that he can capture immediately. Sometimes it is to scope out a subject at different times of the day to see how the light changes the subject. He will photograph the scene with early light from the east, late setting sun from the west, twilight and even midday light. He will photograph the same scene throughout the year in all four seasons. He looks up. He looks down. He finds vantage points to shoot down on subjects and shoot up from ground level. He looks for potential subjects while driving. He’ll make a mental note to return to that interesting barn just off the highway the next morning at dawn. Occasionally, he decides the light is right, the subject will not be in that position if he waits till tomorrow; he makes a u-turn, parks, jumps out of the car with his camera into the minus twenty degree morning, takes six photos, jumps back into the car. He looks for subjects others pass by and tries to find the image that attracts attention. He looks at iconic settings, that red weathered barn of a Vermont farm, and finds the image not taken before. He waits for the moments.

Current Exhibition (expand/collapse)
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An abstract paintings of pointillistic dots in bands of shades or orange above, blue below with a variegated line of pale yellow in the middle

Lorraine B. Good Room

The Lorraine B. Good room is located on the 2nd floor of the BCA Center. The art in this room is available for viewing during our regular open hours, except when the room is being used for programming, meetings, and rental events. This exhibition runs through February 2023.

Matt Larson, acrylic paintings 

From the earliest times, we have tried to systematize our observations of the natural world even though we often experience the world as chaotic. For millennia, our very existence depended on interpreting the landscape and living within the rhythms we discovered. This study of the natural world led to the study of relationships, which eventually led to the notion of pattern. In nature, patterns are regularities of form that recur in different contexts and at different scales across the landscape, including symmetries, spirals, meanders, ripples, tessellations, cracks, and bands. 

These patterns are generated by processes that occur at many different levels, from ageless ecosystem processes (water and nutrient cycles, energy flow, and community dynamics, for example) to the relatively new disruptions that arise from human activity (community fragmentation, loss of habitat, and degradation of connectivity, among others). As time passes and these processes transpire–sometimes slowly, sometimes cataclysmically–the transformations that ensue are recorded as complex, unpredictable patterns. 

This framework–the shifting mosaic of ecological patterns that contextualizes our passage through time and place–inspires Matt’s work. He strives to balance randomness and accident with order and reason in a manner that emulates natural processes, altering and obscuring what came before, leaving glimpses of initial conditions visible through the overlaid patterns and juxtapositions of subsequent events, and thereby facilitating the emergence of abstractions of the natural world that embody the connections between ourselves and the landscape. 

Larson began his art study many decades ago, pursuing painting and printmaking at Rhode Island School of Design and California College of Arts and Crafts. A long sabbatical from these pursuits followed, during which he attended culinary school in Paris and spent many years as a chef, helping to bring the local food movement to life. After a subsequent redirection to various nonprofit management roles in Vermont’s trail community, he gradually returned to the processes he left behind decades ago. Currently, Larson is working as a full-time artist in a small studio/gallery space in Burlington, Vermont’s South End Arts District, and a home studio in Waterbury Center, Vermont. 

Current Exhibition (expand/collapse)
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an abstract landscape painting made up of brushy horizontal bands of orange, cream, blue, and purple

UVM Medical Center

The University of Vermont Medical Center, located at 111 Colchester Avenue, has been exhibiting and purchasing the work of Vermont artists on the main medical center campus in various locations for many years, thanks to its ongoing partnership with Burlington City Arts. Rotating artwork can be found in the ACC East Pavilion 2 & West Pavilion 3, McClure 4, Breast Care Center, and Cancer Center.  Permanent artwork is also on display throughout the hospital. Current exhibitions are on view through late May.

Matt Larson, acrylic paintings & mixed media paintings on plywood, pictured  (Main Street Connector, ACC 3) 

From the earliest times, we have tried to systematize our observations of the natural world even though we often experience the world as chaotic. For millennia, our very existence depended on interpreting the landscape and living within the rhythms we discovered. This study of the natural world led to the study of relationships, which eventually led to the notion of pattern. In nature, patterns are regularities of form that recur in different contexts and at different scales across the landscape, including symmetries, spirals, meanders, ripples, tessellations, cracks, and bands. These patterns are generated by processes that occur at many different levels, from ageless ecosystem processes (water and nutrient cycles, energy flow, and community dynamics, for example) to the relatively new disruptions that arise from human activity (community fragmentation, loss of habitat, and degradation of connectivity, among others).  

As time passes and these processes transpire–sometimes slowly, sometimes cataclysmically–the transformations that ensue are recorded as complex, unpredictable patterns. This framework–the shifting mosaic of ecological patterns that contextualizes our passage through time and place–inspires Matt’s work. He strives to balance randomness and accident with order and reason in a manner that emulates natural processes, altering and obscuring what came before, leaving glimpses of initial conditions visible through the overlaid patterns and juxtapositions of subsequent events, and thereby facilitating the emergence of abstractions of the natural world that embody the connections between ourselves and the landscape.

 

Julio Desmont, acrylic on canvas (Main Street Connector, ACC 3) 

Born in the countryside of Haiti, Desmont used to see a multicolored long tailed bird that seemed to be extinct as he was growing older. They were called Tako in Haitian Creole. In his search for that bird he became an observer and lover of birds. Their pose, flying... it has become the symbol of freedom, peace, love, and also their role in our ecosystem. The birds depicted in his paintings are faceless and mostly in movement, surrounded by irregular patterns of shape and colors. Sometimes they seem to be transforming or evolving. The heavy mark-making is an emulation of his childhood day and night fear. Night, awaking in the dark, he saw an infinite number of images... mostly demons. The moving shadows when staring at his window made him want to scream. Afraid, he could not leave his bed if needed. As a result, he would do what most kids at an early age would do. Day fear, he had to face the harsh consequence of getting his bed wet. One night he thought that was enough. He stood up in the darkness and marched toward his window to face the scary enemy. To his surprise it was the shadow of the tree that he climbed on every day, playing and resting when he needed to escape the sharp blades of the sun. There he met his superpower. All these images stored in his memory become his resources. He can look into chaos and find peace. He can see images through blank spaces. 

When painting he gets to play with the universe. Diving into the dark womb of chaos, pulling out structures and order. He seeks to cultivate exactly the right amount of order, leaving much of the initial unstructured work alone. He is unable to undo all the lines, colors and shapes superimposed on the shadowy background, which calls for an exercise in accepting past actions and seeking how to create balance from the resulting composition. As a result, each of his pieces has embodied a soul... He grows alongside his art and each piece feels alive. His pieces often begin without his knowing what to do. Indeed that is the source of his inspiration, offering infinite trajectories, getting lost, seeking the truth, but ultimately one end that feels right and finally settles in, asking for no more. Thus his art is: his encounter, encounter with God and with the universe, between life and death, between hate and love, between lie and truth, between light and shadow, between the seen and the unseen, between the known and the unknown, between the manifest and the un-manifest. His art is his point, his complete encounter. 

 

Jeffrey Pascoe, photographic giclee (McClure 4 & EP2 Healing Garden)  

The son of a professional artist, artistic pursuits have been a part of Jeffrey’s life since childhood. Now retired after a career in research psychology, Jeffrey has devoted more of his time to hiking, writing fiction, and taking photographs. Since 2015, Jeffrey has been developing his own techniques for capturing the beauty of frost. Nature does most of the work: Variations in temperature, wind, and humidity produce very different sorts of frost, while backlighting from the sun or clouds often adds color. Just as it is a natural impulse to see familiar shapes in clouds, Jeffrey hopes those who view his frost photos will enjoy whatever images their imagination might conjure. 

 

Sharon Radtke, photographs (EP2) 

In 2015, Sharon was diagnosed with a rare auto-immune disease and began taking pictures of birds as a distraction from the medications and treatments. Her goal was to document different species of birds on her 22 acre pond in Milton, Vermont. To date, she has documented 68 species of birds and continues to take photos most every day of birds and other wildlife at Pond House. 95% of her photographs have been taken in her yard and most others throughout Milton. Sharon uses a Panasonic Lumix DMC FZ70, a Nikon P900 camera, and Nikon D5600.  

In 2016, Sharon created her first bird calendar and Pond House Birds Photography was born. In 2017, she joined the Milton Artists’ Guild and began displaying her work in their art center and gallery. Since then, her photographs have been displayed at numerous libraries throughout Vermont as well as at the Northwestern Medical Center in St. Albans; Garden of Eatin Café in Williston and in Burlington’s South End Art Hop and Arts Alive. She has participated in numerous arts and craft shows in Vermont including the Waterbury Art Fair; Festival of the Arts in Cambridge; Vermont Hand Crafters Show and the Vermont Flower Show. Her birds have been featured at the Missisquoi Wildlife Refuge in Swanton and the Birds of Vermont Museum.in Huntington.  

 

Judy Hawkins, oil paintings (BCC) 

Hawkins’ paintings are recollections of the rich and inspiring landscapes she sees around her. She tries to capture the mood and feeling she has experienced when seeing dramatic clouds, ultramarine skies and marshy setbacks and reflections. She loves using gestural brushwork and unexpected color and often creates her colors by mixing them right on the painting. She exaggerates and loosely interprets color, conveying passion, excitement, and moments of calm.  

Discovering something new whenever she puts brush and color to canvas brings a new perspective and vocabulary to her work. She usually begins a new painting at the top and works her way down, working quickly to establish mood through color and composition. She allows the paint, drips and accidental color combinations to guide her vision. Often, a serendipitous moment happens in the process, inspiring her to expand and explore new ideas. She works on three or four paintings at a time which allows her to have some perspective and keep her work fresh. Her paintings often don’t resemble their beginnings; they go through a continual process of change. This is the joy! 

Current Exhibition (expand/collapse)
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An abstract landscape painting with brushy horizontal waves of blues and greens and blocks of brown and cream that resemble a village

Pierson Library

The Pierson Library, located at 5376 Shelburne Road, in Shelburne, features artwork curated by the BCA's External Exhibitions Program on a rotating basis. These exhibitions run through February 2023.

Kristina Pentek, photographs (1st floor Merrill Community room)

The intention of Pentek’s work is to capture beautiful and otherworldly moments as they happen, often in unexpected places. Color and light are of a particular interest to her, and she is fascinated with abstractions created by the natural world and juxtapositions where nature intersects with mankind. She looks for beauty in her day to day by paying attention to the details. Sometimes a simple change of perspective makes all the difference. Her purpose as a photographer is to present the viewer with scenes that are absolutely real but look otherworldly, painterly, fantastical or abstract. Nonetheless, her prints are the result of real scenes. Nothing is ever staged and none of her images are ever retouched or superimposed. The only alternations made are cropping and minor color corrections.

 

Brecca Loh, acrylic paintings (2nd Floor Pierson Room)

Loh is an expressive abstract artist residing in the Stowe, Vermont area. She grew up in southern Connecticut with easy access to New York City with all its artistic and cultural influences. Specializing in colorful and emotionally rich expressionist paintings using acrylics and mixed media, her paintings are about the harmony of colors and the feelings that they provoke. To her, colors have a language. They speak to one another. Her process is to create a dance of colors that create a sense of intimacy and wonder for the viewer. By painting in a non-representational way, it allows the viewer to bring their personal feelings and experiences to the canvas. The painting then becomes theirs, not hers.

Current Exhibition (expand/collapse)
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A landscape painting by Bruce Conklin, depicting a green field bordered by trees, with a pale yellow sky.

Mascoma Bank

Mascoma Bank is located at 431 Pine Street in Burlington and features artwork curated by BCA's External Exhibitions Program on a rotating basis. These exhibitions run through February 2023.

Bruce Conklin, oil paintings

During his working life, Conklin has been involved in various aspects of design and implementation. These have manifested as aerospace hardware design, graphic design, photography and illustration, museum exhibit design and, most recently, as a working chef.

He is a self-taught painter, working primarily in the studio, and his painting is heavily influenced by the Impressionists and by more recent painters as diverse as Milton Avery, Giorgio Morandi, Vilhelm Hammershoi and Avigdor Arikha.

Current Exhibition (expand/collapse)