Jess Scriver makes process-based paintings exploring the limits of systems designed to structure space, knowledge, and decision-making. Grids, maps, letters, numbers, and arrows act as tools of orientation, symbolically guiding movement through landscape, the body, and thought. Within the work, these structures shift, overlap, and gradually break down, as accumulations of layers expose the boundaries of what can be mapped or known. The work reflects on physical, psychological and symbolic navigation, where attempts at clarity give way to layered complexity, opening space for uncertainty, interpretation and the possibilities of discovery.

Painting depicting a motion of evenly spaced lines swirling around the canvas, yellow on blue.
Painting depicting a motion of evenly spaced lines going from top right to bottom left of the canvas like smoke, blue on yellow.
Painting depicting a geometric setting.
Painting depicting a grid of blue on top of brisk motions of pink.
Painting depicting a blue canvas, a circular yellow shape, an organic fuchsia shape, overlayed by dots.
Painting depicting a motion of evenly spaced lines in an orange-yellow-orange gradient on blue.
Painting in orange and blue depicting an abrupt split in motions.
Painting depicting patterns angled and overlayed on top of each other in pink, blue, lime green, and teal.
Painting depicting a brush stroke of evenly spaced, almost geometric lines in a light yellow to jade green gradient on a deep green background canvas.
Painting of a cityscape in blue, yellow, and orange, done in rectangular stripes on a deep blue background.